after a short silence.
âOnly white people lose their horses.â And after another stretch of silence: âI see youâre packing the Ruger again.â
âI can shoot it. I canât shoot those damned semi-autos. Besides,â she said, âIâm a Western sheriff, I have to look the part.â
âGot to please your public, famous woman like yourself.â
Martha grunted. It had been more than a year since sheâd shot a U.S. congressman in these mountains some twenty miles to the north, the congressman a murderer and the shooting cleared by a coronerâs inquest, but no one had ever looked at her the same way since. Nor had Martha looked at herself the same way.
âThose wolves did some talking tonight, didnât they?â she said. âI thought one of them was going to walk right in on me a while back.â She put nonchalance into her voice, but felt her heart beat waiting for Haroldâs reply, wondering if heâd heard her screams a half hour earlier.
âMy understanding was FWP wiped out that Black Butte Pack,â Harold said. âBack when they got into the cattle that last time. Looks like a new one moved in.â
He wouldnât say if he had heard, Martha thought.
âYou want a piece of corn cake?â Harold was unfolding a square of wax paper on his knee. Martha told herself to let him get around to it in his own time. Talking about anything other than what brought two people together under unusual circumstances was a trait shared by many westerners, but perfected to an art form by Native Americans. Harold retrieved a thermos of tea from a saddlebag and they sat in easy silence, trading sips from the screw-on plastic cup.
âYou make good tea,â Martha said. âWhat is it?â
âWhatever was in the cupboard at my sisterâs. Why donât you tell me what you saw tonight, starting with that horse wandering into your camp?â
âDid Jason tell you about the guy with the elk antler sticking out of his gut?â
âHe did. I can smell the blood. But weâll be able to read the white book a whole lot better in an hour or so. Just muddy up tracks if we go in now.â
So she told him, omitting only the scream. Harold refolded the wax paper and put it in his jacket pocket. âCouple things,â he said. âDid you notice any other tracks besides the horseâs? Wolf? Human?â
Martha said no, but that didnât mean they werenât there. Once her light registered the blood bath, her attention had centered on the body.
Harold nodded. It was gradually growing light. Martha could see the barred blue grouse feather that Harold wore in his braid flutter in the wind.
âOkay, last question. Did you circle around to see where the horse entered this stand of trees?â
Again, the answer was no.
âThen thatâs the first thing weâll do. I need to know if the horse was already running, which means something up above spooked him, or if he was walking. If he was walking, then what made him bolt was the kill. Horse coming from upwind, he could have stumbled right into the blood before it registered. Things go sideways in a hurry when a horse smells blood.â
â
âR eading the white bookâ was an expression that Harold had picked up from his grandfather, whoâd taught him to track on the escarpments of the front range that bordered the Blackfeet reservation. It was the skill of deciphering stories written in snow, the pages turning as each animal went about the business of his day. Who came here, what was his name, whom did he fear, in whose teeth did he die? In early autumn, many pages in the white book were blank, while others were written in a disappearing ink, for the snow came and the snow went, often in the same day. When Harold and Martha circled the trees to find where the horse had entered them, Harold figured he had several hours before the snow melted and