out books in bright colours, push matchbox-sized cars up and down garage ramps, hide from him then appear like a vaudeville clown, leaping before his eyes. He turns from me. His preoccupations are a barrier between us, a sheet of glass through which I cannot reach him.
âI know how to come home,â says Stephen.
âWhat did you say?â My head is a sound machine; the singing girls still wonât go away. Daniel is leaning forward, straining in my lap. If I allowed him, heâd have his nose against the screen. âI donât like these pills you gave me,â I tell Stephen. âI donât like whatâs going on here at all.â
* * *
I make him speak to me while heâs standing on the platform at Paddington, while sitting on the train. Even though I cannot hear him and the phone cuts out continually, requiring frantic redialling, I ask him, beg him, plead with him not to go away. As he walks down the road, turning the corner leading to our street, he must speak to me. Good things, I say, please tell me good things.
By the time he reaches our house he is fed up, his face vaguely disapproving as he enters the house. Emily, rushing to his arms, asks if something special is going to happen today. Is this a holiday? Is that why you are here in the daytime, Daddy? Daniel has given up on cartoons and is now staring at the pattern on the carpet, tracing it with his finger.
âIâll play ponies with you,â says Stephen to his daughter. âBut then I have a very important call.â
âMy ponies are having a nap,â says Emily. Her eyes move to the sofa cushion where a whole cavalry of plastic ponies sleep beneath a dish towel. âAnd they have a very important call, too. So you will have to play with me.â
Stephen moves across the room to Daniel, who is quietly sitting on the carpet. âHe seems fine to me,â he says.
âHe disappeared,â I say. I am cutting the crusts off a sandwich for Emily. Daniel wonât eat sandwiches. He will eat cookies and crackers and milk and cereal. But no meat and no fruit and no vegetables. I give him vitamins each day and I make cakes with carrots in them or with grated zucchini. âI called for him for ages but nothing happened. It was as though he didnât hear me.â
âDaniel, were you hiding?â Stephen teases. Daniel looks up, meets his fatherâs gaze, but does not smile back at him. âHe was playing a game, Melanie, why donât you just calm down?â
âA game ?â I say, and toss the knife into the sink so hard it makes a dent.
But Stephen isnât worried about Daniel. Heâs worried about Emily because she is four years old and not yet in school.
âSheâs going to be behind,â he insists now.
âBehind what?â
âBehind the others.â
Everyone else we know sent their children to daycare, then to nursery as soon as they could get them out of nappies. But Emily shows no interest in school. When I walk her past the busy playgrounds, full of rushing children and squeals of laughter, the barking shouts of the footballers, the rhythmic chants of the girls with their jump ropes, she gives me a look as though to warn me off even the suggestion she be imprisoned in such a place. Rooms filled with primary colours, desks stocked with jars of coloured pencils, will not attract my daughter. Emily prefers instead to fax to her fatherâs office pictures she makes of Pingu, the penguin from the Swiss cartoon. She weighs bananas at Tescoâs, mashes bread for the ducks at Regentâs Park, visits pet shops where she names each and every animal, even the crickets, which are only there as food.
Stephen does not approve of this no-school business. The government has recently issued some kind of report indicating that children who go to pre-school perform better throughout their primary years. The day of the announcement, Stephen brought home the