you very much, Trevor. Right, Charles, could we run it?â
But the real operator wasnât going to relinquish his seat to any thespian surrogate quite so easily. âYou donât smoke, do you?â he asked Charles accusingly.
âNo, I donât.â
âOh.â Trevor couldnât keep the disappointment out of his voice. âOnly you mustnât smoke round one of these.â
âWell, I wouldnât, because I donât.â
âAnd the whole warehouse is a âNo smokingâ area, anyway, Trevor,â Alan Hibbert pointed out testily.
But the operator was not to be deflected from his narrative. âPoint is,â he continued, eyeing Charles beadily, âsome of these trucks run on Calor gas, and thereâs a risk of a leak and if you get a naked flame from a cigarette ââ
âYes, well, since, as I say, I donât smoke, and since this one Iâm working on is actually powered by electricity, I donât see ââ
âBloke in a warehouse over Northampton,â Trevor continued inexorably, âhe had a crafty fag while he was driving one of the Calor ones . . . Whole thing went âwoomphâ . . . they was picking bits of him off the shelves for months.â
âWell, that sounds ââ
âWhat you have to watch with the electrical ones,â Trevor went on, âis that you donât leave them with the engine running. Flattens the batteries. Have to be recharged every night, you see. If thereâs one way to get yourself unpopular in a warehouse, itâs to leave your engine running and flatten your battery.â
âWell, Iâll certainly be careful not to ââ
âAnd this machineâs got a âQuick Releaseâ button, and all . . .â
âHas it?â
âItâs got a guard over it, soâs you canât push it by mistake . . .â Trevor appraised Charles disdainfully, âwell, unless youâre a complete wanker. Itâs meant for lowering the forks quick when youâve unloaded but, if you press it when you got a pallet up, whole sodding lot comes smashing down.â
âAh,â said Charles, bewildered as to the cause of this sudden verbal diarrhoea. Maybe it was just intimidation, or perhaps the operator, affronted at the assumption that he wasnât up to the task of speaking, wanted to assert his credentials in that department.
Griff Merricks seemed to take the second view, or at least to reckon that it was Trevorâs exclusion from a more active role in the filming that was making him so uncooperative. âUm . . .â he proposed, âI was wondering whether you would mind doing something else for me in the video . . .â
âOh?â The speed of reaction showed that the director had judged his subject right. There was a glint of enthusiasm in Trevorâs grudging acquiescence. âI suppose I could, if you insist â since my dayâs workâs bloody shot to pieces, anyway.â
âWell, what Iâd like you to do, Trevor, is to be seen chatting with the secretary who comes out of the warehouse office.â
âWhat do I say to her then?â
âIt actually doesnât matter what you say. We wonât hear it, just see you talking â OK?â
Trevor nodded magnanimously. âSure, Iâll help you out.â He got down from the seat of the forklift. Granted another role in the proceedings, he no longer needed to continue asserting his dominance over Charles.
âSo what Iâd like to do now . . .â the Director illustrated his intentions with wide arm movements, âis pick up from the end of the manoeuvre you just did for us, Trevor. Weâve got you bringing the pallet down at the end of the aisle â thatâs in the can. Then I want to sweep across the warehouse . . .â
âWhat, do a pan, like?â asked Trevor, keen to assert his mastery of video