Edna Fayeâs familyâall but her father, who is now a name in the alphabetical list of names that precede Warren, Charles, a name etched on the black slab of granite laid down by the oil company beneath a tall sweet gum tree outside of camp. Edna Fayeâs siblings have piled onto the mattress that lines the bed of the dilapidated wagon hooked up to their jalopy, tent poles strapped to its running board. Edna Fayeâs mother, who seems to have aged twenty years in however long itâs been since the blowout, sits hunched behind the steering wheel. What unbelievable quiet for such noisy kids. They lean into their belongingsâblankets, buckets, boxes, two battered bicycles, and an old cookstoveâand keep the silence of the dead. Where are they going? West? Iâve heard about West on the radio, read about it in the papers and on the fliers distributed by the farm owners, which promise work and better weather. Iâve seen evidence of west-bound refugees on the road, too. So many fleeing their homes and farms, driven out by dust storms, drought, and dissolution, rattling on toward where the sun inevitably sets. Motherâs closest friend from her childhood back in Guthrie had to go west; Mother has told me so time and again, until the telling has distilled into a kind of refrain: âAlice Everly and her family were far better off than us. If they turned homeless, what are the odds weâll do the same?â
Take me with you, Edna Faye. Anywhere but Alba. Take me there. I wrench my arm from Motherâs grip and go to her. We clasp hands.
âOne plus one equals two,â she says.
I nod. Take me.
âTwo minus one equals one,â she says.
I close my eyes against this difference.
âDonât give up.â I hear my voice for the first time since the blowout. Really hear itârough and thin as a piece of paper torn in half. âYou hear me, bright girl? Keep learning.â
Motherâs hand settles again on my shoulder. Edna Faye releases me, and Mother steers me toward Daddyâs car. Next thing I know, Iâm in the backseat. I watch through the window as Edna Faye climbs onto the mattress in the truckâs bed and burrows down beside her brothers and sisters.
Edna Faye is crying. Out the window as we pull away, I watch that little girl, my bright girl, do a womanâs work of tears.
SPRING CREEPS IN, as it will. Blossoms open on the redbud by the road; I see them from my bedroom window. A flash of blue streaks by one dayâan indigo bunting whistling its sharp, clear song. The bellflowers out back will bloom soon, no doubt. All things blue recall Charlieâs eyes. Mother says I am blue. âPray. Youâre not praying hard enough. You must end this blue mood, Ruth.â Darker than blue, I think. Darker than Charlieâs eyes. Black, the color of my eyes. Black fog punctured by occasional birdsong, the flickering movement of pink buds on a brown branch tossed by the windâthe wind that used to remind me of Godâs spirit encompassing me. Mother is right about one thing: Iâm not praying hard enough. Iâm not praying at all. Iâve tried. I canât. And if God speaks in a still, small voice, well, I canât hear God for the wind.
I lie in bed days and nights. I donât sleep much.
âENOUGH IS ENOUGH!â
Out of nowhere, Daddyâs voice. Itâs the first time heâs spoken to me since our return to Alba. I open my eyes, look toward the bedroom doorway. There he stands, wearing a denim shirt and a pair of hickory-stripe bib overalls, as he does every day of the week but Sunday. Dim light fills the bedroom; outside, the rooster, Captain, crows. It must be early morning. How long have I been lying here, awake?
Daddy strides to my bed, stands over me. He rubs his hand roughly over the gray stubble of his beard. âFree ride ends now, Ruth. Understand.â A statement, not a question.
Heâs gone