sure.
My neighbours are out now, going to work, going to the shops. I say good morning to a couple of them, the older ones. I smile at the young guy who has moved into the flat on the first floor. He is tall and broad and looks like he does a lot of sport. He is wearing a suit, which puts me off slightly, and swings a gym bag by his side. He will work out today, at the gym at work, with the other City boys, but in his own little world, picturing his muscles expanding with every bench press. I can picture his lungs, clean and clear, the little hairs swaying, not tarred and blackened like the anti-smoking programmes show me mine will be by now. He’ll sweat a lot, maybe get a little red in the face, exactly the look he’d have after sex; not that I know.
Walking is only ever a pleasure for me on a day like today, with the sun out and sensible trainers on my feet. Today is a day to smile. The man on the fruit and veg stall by the station makes a remark about melons, which I choose to ignore, my bubble will not be burst this early at least, if at all on a day like today. If I could just wander around all day, in my comfortable footwear, getting a tan, smiling to myselfand not having to talk to anybody I know, it would be heaven. But I have to go to work. And even if I manage to make it through the political minefield that has become making TV programmes for a living, it won’t last. Tonight I am going over to Charlie’s, and I will cook for us both, and sit out on his much bigger balcony – with a glass of wine afterwards. It’s amazing how easy it is to ignore a problem. You just don’t say it, and it doesn’t matter. I’ve done it for years.
I was going to do something. I decided, somewhere in my sleep, to talk to Charlie about us, but on waking, today doesn’t seem to be the right day. I just want to enjoy it. I want the entire day to go without a hitch, without a raised voice or argument. Maybe I’ll leave it and talk to him next week. I’ve been seeing Charlie for nearly six years. I met him in America, but we are both British. It’s not working out. It’s more than a bad patch …
I work in Covent Garden – it’s a lovely place to be based, apart from all the fucking tourists. I know that might seem a bit strong, but I am smacked by an oversized rucksack at least three times a day, just walking from the tube to work, and back again.
By the time Tony arrives to drive us to the shoot in a studio in Islington, José has still not turned up at work. He’ll think I was running late and went straight to the shoot, which pisses me off, so I send him a quick innocuous e-mail, asking him when the video for Evil Ghost, the original film, is due for release, so that we can tie up our TV sales. We haven’t even made the film yet. This is the way that it works. By the time we get around to actually making this damn sequel we are going to have about six weeks to finish the thing. We have been teaser trailering for months on the front of all our other videos. And the thing isn’t even made. The marketing comes first, then wefilm. I don’t know my job title exactly. There are only thirty of us in total. We do a lot of everything, masters of all trades.
I am left to direct the shooting of the foggy woman myself. She is very sweet, actually – Tony hung up the phone after he spoke to me last night, and caught the first bus he saw. He spoke to three OAPs before he found us this one. She is grateful for the money – she lives on her pension, and after Tony proved he was legitimate, and I don’t ask him how he did this, but it had something to do with carrying shopping and playing gin rummy at her ‘Home’, she agreed to come along. She asks if she can sit behind the fog machine, because her legs aren’t as strong as they used to be, and I almost feel bad saying no, she has to stand. An old woman sitting in a cloud of smoke just doesn’t scream ‘horror’ to me.
To be honest, there are only so many ways you