entrance. Fresh-cut grass and horseshit. Big Mike tells me to wait with the truck and wanders off somewhere.
I can hear the cars from the highway far in the distance. One of the places I lived when I was a kid was right next to a freeway. The sound of traffic always calms me. Itâs like the ocean for most people, I guess.
Someone tests the loudspeaker. It turns on with an electric pop, followed by a feedback wail and the words TESTING, TESTING, ONE, TWO, THREE .
I turn on KALX. Iâm hardly ever out in the East Bay, but I still love picking up this station. Theyâre playing Op Ivy. Fuck. Op Ivy. âJunkieâs Runninâ Dry.â Figures.
May 1989: I hopped in a van and came up here with Don and Tim. For no real reason, you know, just for the fuck of it. Among other things, we were set on going to Gilman. Op Ivy was playing that night. Of course, I got way too wasted and passed out in the van. Missed the show of my life.
But thatâs how I got here. When they went back, I just stayed. Fuck, it seems like yesterday. What the fuck happened? Iâm over twice the age now that I was then. Old. Fucking old guy.
Back then, life was as long as you needed it to be. Days were just full of all the hours youâd ever want or need; they just went on and on, and there was time enough to do anything you wanted. Most days, I woke up with no idea of what I was going to do. No plans or responsibilities. And suddenly, the days click off much faster than you want them to, and you have to think about what year it is because it all moves through you without you noticing. Youâre busy as fuck even when your life is a zero.
And shit mattered. It just doesnât now. I used to think a good show would fix whatever was wrong, and Iâll be damned if it didnât feel that way. Now thereâs nothing to get excited about or to look forward to. Shows happen, and if I do hear about them, theyâre already over, but what the fuck would an old man like me be doing at a punk show, anyway?
I crank it up, but it doesnât sound as loud as it used to.
Big Mike bangs on the door. Startles me.
Open the back, bro.
I get out, come around the truck, and donât know how to process what I see: a dead horse on a forklift.
No, no, no. I canât have a fucking dead horse in here.
What? Bro, donât sweat it. I needed your truck because it has the rear climate control. We have to keep this cold until we get where weâre going.
Where are we taking it?
A butcher. I know a guy.
PARTY
IâM IN THE glow of a red light, I think Iâm in someoneâs house, but Iâm not sure. Thereâs so many people around me that weâre all touching a little bit. Thereâs a girl looking up at me with big eyes, and she wonât stop smiling. Iâm screaming something at her that she likes over the music thatâs coming from somewhere . . . I think thereâs a DJ, but I donât see one . . . itâs a mashup of the theme from Footloose and the James Gangâs âFunk 49â with a thumping bassline . . . people are doing what is intended as dancing, but thereâs not enough room in here to do much else other than move up and down a little.
Right now, thereâs a party going on that youâre not invited to. You donât know about it. Youâre doing whatever it is you do with your day. Youâre making a sandwich or looking for the remote or breaking up with your girlfriend or applying for another job while youâre the job that you hate. But somewhere in the world, thereâs a party going on, and people are getting fucked up. Somewhere in the world, someone is having a great time, and youâre sucking on a big ball of shit.
Hopefully, Iâm at that party. Iâm at some of these partiesâas many as I can find. Parties are where I found out about drugs and sex and the best music Iâve ever heard. Parties were the place where I wanted