remarkable either. Not like the vibrant flowers spilling out on the sidewalks, but Pamela had some talent.
âTheyâre very good, Pamela. I like your color choices, and you have a very soft way of shading.â
She let out a relieved breath. âThank you. I work very hard on them.â
âHave you had lessons, or does this just come to you naturally?â
âIâve taken lots of lessons at the community college. The teachers there say I have a real flair for flowers.â
âYes, you do. Have you tried painting other things?â
âNo, just flowers.â
Derivative and safe. âWell, you have some fine paintings here.â
âThank you, Madeline. That means a lot coming from you. I do collages, too, but those are at home. Iâd love for you to see them some time.â
At three oâclock, Pamela put a sign on the door saying the store was closed for the afternoon. âOne of the perks of being the owner,â she winked, and we went to the fellowship hall at First Baptist Church.
First Baptist was the largest church in town, a massive cathedral of granite blocks. The fellowship hall was equally impressive, a gymnasium-size room with gold walls and plush gold carpet. No folding tables and metal chairs here. Polished wooden tables covered with gold embroidered tablecloths and matching straight-back chairs were arranged around the room, and a longer table filled with refreshments stood along one wall, sparkling with crystal and silver dishes. This was the first fellowship hall Iâd ever seen with chandeliers.
As big as the room was, Wendall Clarke filled it. He was a large man with strong features and an impressive moustache, a commanding figure all in black with a black-fringed scarf around his neck. He had his arm around a young and extremely pretty blonde woman whose beautifully tailored suit and silky blouse couldâve come from Flair For Fashion.
âGood heavens,â Pamela said. âI donât believe it.â
âWhat?â
âTell you later.â
Wendall Clarke came toward us, his voice booming. âMs. Maclin, such a pleasure to meet you! I saw your work at the Weyland. I adore Blue Moon Garden .â
âThank you very much.â
âThis is my wife, Flora, but everyone calls her Baby.â
Whoops. I had thought the young woman was his daughter. I shook hands with Flora, who seemed shy. âPleasure to meet you. Iâm Madeline.â
She nodded and smiled but didnât say anything.
Wendall turned to Pamela. âIs this Pamela Finch? How are you? Itâs been quite a while, hasnât it?â
Pamelaâs reply was polite but guarded. âHello, Wendall.â
âHave you met my wife, Flora? Baby, this is one of my old school friends, Pamela Finch.â
Pamela didnât smile or shake hands. âHow do you do?â
Again, the young woman just smiled.
Wendall Clarke gave the scarf a theatrical toss over his shoulder. âI suppose youâve heard all about my little project. I am so excited by the prospect of bringing this facet of culture to Celosia. If there had been a gallery like this in town when I was growing up, I wouldnât have taken so long to find my true calling. I hope to inspire generations of children to love art.â
âThat sounds like a worthy cause, Mr. Clarke,â I said.
âOh, call me Wendall, please. It would be a real honor to have you on board, Ms. Maclin. I promise your duties will not be extreme.â
âLet me think about it.â
âSplendid! Iâd really appreciate it.â He gave his wifeâs shoulders a little squeeze.
âCome along, dear. I want you to meet everyone.â
Her eyes got big. âAre you sure?â
âOf course! Donât worry. Theyâll love you.â
Flora did not look convinced. I didnât have long to wonder about her reluctance.
Most of the people at the reception gave Wendall