childhood playmate of Amanda's and had befriended her again after he dropped out of the University of Arizona Business School to manage and produce the Capitalist Pig. It had been this myopic red pug who introduced Amanda to Stanislaw. And it was the same Nearly Normal who recruited her for the circus. It was he, too, who found a job for Palumbo, the ill-fated drummer, after Stanislaw had been deported and the Capitalist Pig disbanded.
At seventy-three, Smokestack Lightning could still do a dance that lowered the blood temperature of the most urbane and confident white American. In the circus arena, lit only by a dry twig fire, the old Apache would don his Ghost shirt, its blue-dyed buckskin adorned with thunderbirds and fat white stars (a design that had been revealed to the shirt's original owner in a vision). Then he would commence a performance of calculated frenzy, identifying his bodily rhythms with the historical migrations of his people, recalling both their triumphs and their tribulations, insinuating their glories and humiliations, howling myths in the shadows like a coyote, clacking his peyote-stained teeth like a beaver, arching his back like a mesa, planting his toes like a dawn of agriculture, weeping like a long winter, laughing like the mouth of a river, stalking with his arrowed eyes some unlicensed prey in the faces of the audience. And the audience would sit chilled, bound to the stake of congenital guilt, its thoughts paddling along some quiet piney lake or spurring a pony around the bend of a canyon, all trails however clean and simple leading to the scene of slaughter; the woodsmoke ribboning from the dancer's tiny fire filtered through Cinemascope and dime novels and TV tubes and Jungian memory to sting spectators' eyes with metaphors of barbaric lust, as if it were the gunsmoke and torchsmoke still lingering from some old wounded knee meadow of battle, cooking their hearts over the embers of once-bright genocide. And when the drums suddenly froze and the hard mahogany Indian stilled his dance at the summit of its demonic power to shriek in perfect magpie Trickster, to scream in flawless American,
"Hi'niswa'-vita' ki'-ni"
—"We shall live again!"—the stoutest of mechanics coughed nervously and children and women were known to pee in their pants.
Smokestack Lightning also executed an expurgated version of the Hopi rain dance, using live rattlesnakes when he could get away with it: the deputy sheriffs in some towns forced him to substitute nonpoisonous serpents in the interest of public safety. Incidentally, it was a couple of those garter-snake substitutes that the newlywed Zillers purchased to stock their roadside zoo, although the reader doesn't have to be burdened with all these details, now does he?
Amanda plopped her feet in the cool water. “What truly mystifies me,” she confided to her friends, “is the way things are always happening to me during thunderstorms. My oddest experiences, the ones that are most occult or that seem to seep out of the deepest cracks in my psyche, invariably happen just before or in the middle of some storm. I mean it's spooky. As if there's some connection between my innermost karmic structure and violent electrical disturbances. Why do you suppose that is?”
All squinty-eyed, Nearly Normal Jimmy was wiping river spray from his glasses with a brakeman's bandanna. “People's heads are always affected by thunderstorms,” he allowed. “It's the negative particles released in the atmosphere. Ozone gas is released, too. It activates the mind. Makes you feel kinda high, haven't you ever noticed feeling kinda high just before a storm? People dream more, dream more vividly when there's a heavy concentration of ozone in the air. They've proved this in scientific experiments. Did you know that if you take an IQ test during a thunderstorm, or just before one hits, you'll make a higher score than you normally would? That's a fact. Activates the brain. Shit, baby,