discussed his studio schedule with the production manager to ensure they could work his shooting schedule around these new directing commitments.
He’d read through the story line they sent him, made notes, come up with some ideas of his own. But it was only now that he was sitting here, about to commit himself wholly to the project, that he could admit to himself there was a very real chance he wasn’t up to the challenge she’d offered him.
He was a novice. He’d directed ten episodes, and now they wanted him to make their big special shine. Frankly, he thought they were crazy handing their baby to him.
Of course, he could always say no. He could tell Claudia that he didn’t want or need the hassle. This whole directing thing had only ever been a diversion, after all, something to stop him from banging his head against the wall in frustration.
He could start the car up and drive away from it all. If that was what he wanted.
The door of his ’57 Corvette complained with a metallic squeal as he stepped out. If he sat around contemplating his navel much longer, he was going to be late. Grabbing his notebook, he headed toward the building entrance.
With the decision made, some of his nervousness dropped away and he realized that underneath his uncharacteristic adolescent self-doubt there was a buzz of anticipation, the yin to the yang of his nervousness. He didn’t have to look far for the source — he was about to meet Grace Wellington.
He’d been reading Grace’s work for the past year and every time he picked up a script with her name on it his curiosity and his respect for her had grown. She was the best writer on the show, hands down. She only penned one every now and then — she was obviously absorbed with her duties as script editor — but when she did, it was like a beacon in the night. The dialogue sparkled, emotions ran deep, laughs were sincere. She could write.
He’d whiled away a lot of long, boring hours in his dressing room wondering what she was like, the woman who put down words with so much energy and life and power. It was hard to get a bead on her, since there were so many different facets to her writing.
For starters, there was the sexy, sizzling, witty banter that delighted an actor. That Grace Wellington struck him as savvy and confident, a man-eater in red silk garters and stilettos.
Then there was the wry humor that she managed to inject into every episode. When he dwelt on that aspect of her writing, he thought of messy hair, big smiles, hot cocoa and woolly sweaters.
Then there was the wrenching emotional content of her scenes. She always managed to strike a chord, helping him dig deep to find the humanity in any story, no matter how soapy or silly. That woman he imagined as razor sharp, dressed in minimalist black with a bent for double-shot espressos and books by dead Russian authors.
He was looking forward to meeting her, to satisfying his curiosity about the mystery woman behind the scripts. He also figured that if he was going to have to jump headfirst into the unknown on this project, it would help to have the show’s best writer by his side.
For the first time in a long time, he was looking forward to something. He wasn’t sure if that was a good thing or not. In his experience, wanting something only made failure more painful.
He smiled grimly as he stepped over the threshold. Ready or not, he was already free-falling.
G RACE WIPED her sweaty palms on the sides of her dress, angry with herself for being nervous. Mac Harrison was just a person.
No, he was less than that — he was an actor. A man who traded on his good looks and sex appeal to live in the lap of luxury. All his life, doors had opened for him, women had thrown themselves at his feet and he’d sat back and lapped it all up because he’d been lucky enough to be born with a body and face that the world worshipped.
He was like her sisters. Just as he was the epitome of male good looks, her sisters