it was in the past.
Walking across the square to the tall Georgian building that housed the Steen Clinic, Dalgliesh recalled some of the scant items of information about the place that had come his way. It was a well-known witticism that you had to be exceptionally sane to be accepted for treatment at the Steen. Certainly it had a reputation—Dalgliesh thought probably undeserved—for selecting its patients with more regard to their intelligence and social class than their mental condition, subjecting them to diagnostic procedures designed to deter all but the most enthusiastic, and then placing them on a waiting list for treatment long enough to ensure that the curative effects of time could exert their maximum influence before the patient actually attended for his first psychotherapy session. The Steen, Dalgliesh remembered, had a Modigliani. It was not a well-known painting nor did it represent the artist athis best, but it was, undeniably, a Modigliani. It hung in the first-floor boardroom, the gift of a former grateful patient, and it represented much that the clinic stood for in the public eye. Other National Health Service clinics brightened their walls with reproductions from the Red Cross picture library. The Steen staff made no secret that they preferred a second-rate original to a first-class reproduction any day. And they had a second-rate original to prove it.
The house itself was one of a Georgian terrace. It stood at the south corner of the square, comfortable, unpretentious and wholly pleasing. At the rear a narrow passage ran into Lincoln Square Mews. There was a railed basement; in front of the house the railings curved on each side of the broad steps which led to the door and supported two wrought-iron lamp standards. On the right of the door an unpretentious bronze plaque bore the name of the Hospital Management Committee which administered the unit and, underneath, the words “The Steen Clinic.” No other information was given. The Steen did not advertise its function to a vulgar world nor did it wish to invite an influx of the local psychotics seeking treatment or reassurance. There were four cars parked outside but no signs yet of the police. The house looked very quiet. The door was shut but a light shone from the elegant Adam fanlight above the door and between the folds of drawn curtains in the ground-floor rooms.
The door was opened almost before he had taken his finger from the bell. They had been waiting for him. A stockily built young man in porter’s uniform opened the door and let him in without speaking. The hall blazed with light and struck very warm after the coolness of the autumn night. To the left of the door was a glass-panelled reception kiosk with a telephone switchboard. A second, and much older, porter sat at the boardin an attitude of utter misery. He looked round and glanced briefly at Dalgliesh with rheumy eyes then returned to his contemplation of the board as if the arrival of the superintendent was the last straw of an intolerable burden which, if ignored, might be lifted from him.
In the main body of the hall the reception committee came forward, the medical director with outstretched hand as if welcoming a guest. “Superintendent Dalgliesh? We’re very glad to see you. May I introduce my colleague, Dr. James Baguley, and the secretary of the Hospital Management Committee, Mr. Lauder.”
“You got here very promptly, sir,” said Dalgliesh to Lauder.
The group secretary said: “I didn’t know about the murder until I arrived two minutes ago. Miss Bolam telephoned me at lunchtime today and said she wanted to see me urgently. Something was going on at the clinic and she needed advice. I came as soon as I could and found that she’d been murdered. In the circumstances, I had more reasons than one for deciding to stay around. It looks as if she needed advice more than she knew.”
“Whatever it was, you’ve come too late, I’m afraid,” said Dr.