cane. At the landing, he reached into the pocket of his overcloak to pull out a small ring of keys; they jingled dully in his hand.
Two levels down he stopped, allowing the pain in his head and his knees to subside. When it had, he thrust the key into a lock—there were flakes of rust around the keyhole; he made a mental note to mention that to Capitaine ce’Denis when he left—there was no excuse for that type of sloppiness here. As he turned the key in the lock, he heard chains rustling and scraping the floor inside. He could see the image in his head: the prisoner cowering away from the door, pressing his spine to the old, damp stone walls as if they might somehow magically open and swallow him.
Suffocation in the embrace of stone might have been a more pleasant fate than the one that awaited the man, he had to admit.
Sergei glanced around before he opened the cell door. A garda was approaching from the lower levels. He nodded to Sergei without saying anything. The capitaine and the gardai of the Bastida knew that Sergei usually required an “assistant” when he visited the prison; those who had the same predilections as Sergei often helped. They understood, and so they said nothing and pretended to see nothing, simply doing whatever Sergei asked of them.
He pushed open the cell door.
“Good morning, Vajiki ci’Bella,” he said pleasantly to the man as the garda slid into the cell behind him. The prisoner stared at the two of them: Aaros ci’Bella, one of the many minor aides in the Kraljica’s Palais. The man still wore the uniform of the palais, now soiled and torn. Sergei set the ring of keys on the hook just inside the cell door, leaving it open. Ci’Bella stood against the rear wall, the chains that bound his hands and feet loose—the chains, looped through thick staples on the back wall, had just enough slack to allow him to come within a single stride of the door but no more. If the man charged at Sergei, all Sergei had to do was step back and he could not be reached—though the garda would undoubtedly stop the man if he dared make such a foolish move. The prisoner who would do that was rare. “Old Silvernose,” as Sergei was known derogatorily, had his reputation among the enemies of Nessantico and those in the lowest strata of Holdings society. He could already sniff the apprehension rising in the man. “May I call you Aaros?”
The man didn’t even nod. His gaze traveled from Sergei’s nose to the thick roll of black leather under his arm to the silent garda. Sergei set the roll down near the cell door, untied the loop holding it closed, and laid it out flat it with a flick of his hand, grunting with the motion. Inside, snared in loops, were instruments of steel and wood, their satin patina showing much use.
Looking at the display, ci’Bella moaned. Sergei saw a wetness darken the front of his pants and spread down his leg, followed by the astringent scent of urine. Sergei shook his head, tsking softly. The garda chuckled. “Ambassador,” ci’Bella wailed. “Please. I have a family. A wife and three children. I’ve done nothing to you. Nothing.”
“No?” Sergei cocked his head. He removed the over-cloak from his shoulders, brushed at the soft fabric, and placed it carefully on the peg with the keys. He grimaced again as he knelt down, his knees cracking audibly and his leg muscles protesting. Once, this would have taken no effort at all . . . His fingers—knobbed and bent with age, the skin loose and wrinkled over the bones and ligaments—stroked the displayed instruments. He could feel the silken coolness of the metal through his fingertips, and it caused him to inhale deeply, sensually. “Tell me, Aaros. What would you do if a man harmed your wife, if he raped her or disfigured her? Wouldn’t you want to hurt that man in return? Wouldn’t you feel justified in taking revenge on that man?”
Ci’Bella seemed confused. “Ambassador, you’re not married, and I did nothing