talking to her.
âWhy do you always do that?â Bernie was asking her.
Libby shook her head to clear it. âDo what?â
âTouch things three times.â
âDo I?â
âYes, you do.â
âItâs a habit.â
âItâs OCD.â
âIâm not obsessive compulsive.â
âYouâre borderline. Have you thought about getting treatment?â
Libby pointed a finger in Bernieâs direction.
âShow me a caterer who isnât slightly OCD and Iâll show you a bad one. Catering is all in the details,â Libby said as she walked out into the cafeteria and surveyed the scene in front of her. âYou should know that.â
âSo is everything else,â Bernie said, trailing after her. She could tell, though, that Libby wasnât listening to her. She was studying the room in front of them.
And Bernie had to admit, given the constraints Libby was operating under, sheâd done a good job, even though she privately thought that themed dinners were incredibly tacky. So were theme restaurants for that matter. If there was one thing sheâd learned as a restaurant reviewer out in L.A., it was that palm fronds and tribal masks on the walls spelled bad food on the plates.
Libby ran her eyes over the cafeteria. Last night she and Stan and Amber had spent almost four hours getting it ready. Theyâd set up the guest of honor table, then moved in large round tables and covered all of them with black tablecloths. Next theyâd done the place settingsâwhite chinaâand arranged tableaux of little skeleton men playing instruments, eating food, and riding on donkeys on each table. Libby had gotten the figures from a supplier who handled candy skeletons and skulls for the Mexican holiday, El Dia de los Muertos, The Day of the Dead.
Theyâd been an overstock item from last November so sheâd gotten them at a good price. But her biggest coup had been the gold foil-wrapped milk chocolate coffins. She was just thinking what a good table decoration they made when the doors to the cafeteria banged open.
Laird Wrenn swept in, trailed by his publicist, Lydia Kissoff. Three men carrying a shiny black coffin followed.
Wrenn looked around the room and frowned.
âAnd where,â he said, pointing to his coffin, âam I supposed to put this?â
Chapter 3
L ibby leaned towards Bernie.
âHeâs kidding, right?â
âNot from what I heard.â
âHe reminds me of a pigeon,â she whispered in Libbyâs ear as she watched Laird Wrenn and Lydia Kissoff advancing on them.
âA pigeon?â Libby repeated.
âYou knowâall chest with skinny little legs. And that cape heâs wearing doesnât help. No wonder the dust jackets on his books feature head shots.â
Libby put her hand up to her mouth to smother a giggle. âWell, he doesnât exactly look like Keifer Sutherland in The Lost Boys, does he?â
âI loved that movie. I especially loved the guy with the blond curls. The one that looked like a Botticelli angel.â Bernie wound a lock of her hair around her finger. âIf I had all the money Lionel has and a body like that, Iâd get my shirts tailor-made.â She shook her head. âBoy, that cape looks hot. Maybe he has little electric fans in it.â
âStop it,â Libby pleaded.
âAnd get a load of Lydia. I never thought sheâd age well.â
âWay too much makeup,â Libby noted. Then she said, âWe shouldnât be bitchy.â
âWhy not? Itâs fun.â
âQuiet.â Libby gave Bernie a poke in the ribs with her elbow as Laird Wrenn closed the distance between them. âLaird,â she said when he was about a foot away. âI donât know if you remember me, but . . .â
âAre you the one in charge here?â he barked.
âYes, I am.â
Libby could see the sweat pouring down